The Politics Of The Reproducibility Cultural Studies Essay

The Politics Of The Reproducibility Cultural Studies Essay Reproducibility is the ability of something to be accurately reproduced or replicated by another individual working independently. It relates to the agreement of the results with different operators using different tools at a different location. The results are always reported as a standard deviation from the original plan. In Benjamin works of art, reproducibility is a process that occurs slowly and may take a long time. Benjamin discusses the reproducibility in the works of art and the entire world of photography and film. It is all about the modern age and its effects on the work of arts. How art has been changed by the perception of the humans through time. Reproducibility changes the original piece of art through the change of the originality or aura of the artistic image, the real message put across and the cult value of the original art. The reproduction of pieces of art causes a total change in the perception of the art and can send a total different meaning to the observer. Reproducibility is an inevitable process that takes place over time and it serves to bring a lot of change in the meaning of art. It overshadows the concepts of originality and creativity of art. It can therefore be said that reproducibility is one big enemy to the world of art and the divine talent requirement to be artistic. A look at the photography of today, there is so much reproducibility of photographs of various places and features that the real image or the original item cannot be defined. It is not easy to tell anymore if the items in photographs are really as represented. Photography can be said to leave out a lot of details of the original thing. For example details such as the distance, vegetation and the color are completely distorted. With the advances in technology photographs can be used to represent an image of a certain thing just like in a painting. This also leaves out a lot the originality of the image displayed. For example the photographs of the mountain like the Alps remove the concept of space and time. According to (Blunden ii), even the most perfect pieces of art that are reproduced are lacking in the element of space and time. The technology of the modern times in photography renders the work of art impure. While some pictures will want to portray the mountains to have peaks that are slightly steep and have very green vegetation others show complete different imagery of steep peeks and no vegetation. This technology of photography renders the works of art impure and changes the original forms of the art. Photography can be said to make the work of art loose the aura or the authenticity through the mechanical production. While the photograph of the mountain will be representing an image of another image, a painting will be the original mountain. Paintings would capture the concentration and contemplation of the viewer unlike photography. The paintings would be fascinating and inviting to the observer. The cult value that would have been in a painting is replaced by the exhibition value in photography. The cult value does not disappear suddenly but in a shadowy manner. The cult value is still represented in photography but in a far distant manner because just like the portraits, photography is also meant as storage of memories. Photography as a replacement of painting brings out a distant political significance through the creation of memories. The images of photography also bring out a very different side of the original. The photographs are meant to capture what the original person and the photographer want to portray to the viewer; therefore the original thing is not what the viewer sees but the viewer is subjected to a totally different concept. Photography has led to the shift between the original, authentic value of what the viewer is subjected to, to a more modern way of view. The paintings displayed the original view of the items with the same color, creativity and authenticity were also very much a part of the paintings, but with photography most of these aspects are lost in the modernity part. Photography values the exhibition value more than the cult value. The photographs do not evoke the free contemplation that a painting will. They both portray the past events but paintings have the free flowing contemplation and concentration in the viewer compared to a photograph that will carry less of such value. Photography is a reproduction of the paintings and therefore fails to achieve the original basis of paintings. The photographs shape the original political meaning of paintings through randomness storage. Unlike the historical times when the paintings were done according to specific occasions or factors, photography is done at any particular time with little consideration to reasons. Photography also presents a distraction with mixed ideas and presents the perception of avoidance of difficult tasks. The works of art will generally capture the most difficult of tasks and will aim at the presentation of the most important factors of an item. Art is able to bring the masses together; it acts to mobilize the people through getting their attention to a particular thing. Photography on the other hand falls below these perceptions and always takes the easiest way of artistic representation. The photographs tend to present a distraction instead of a pull and these shows that the master of the art is just but a habit than really the creativity and talent in it. The public is therefore made as an observer but only absent mindedly without the proper concentration that the works of art expects. The idea is to capture and satisfy the human interest which could simply be the removal of the special function from the field of view. The images of photography therefore leave out a lot of the important details of art meaning the concept of reproducibility leads to the distortion of the original concept. The mechanical change noted in the photography means that the reproduction of the works of art leads to the change in the method of exhibition. Photographs simply change the reaction of the public to works of art and change the perception of the works of art. It gives the masses an option of critics. The historical work of arts like the paintings and the portraits were easily accepted by the masses but the photography technology of the modern day has been faced with a lot of critics. For example in Blunden essay, he says that the 19th century disputes to whether photography is a work of art, (part 7). This shows that there is doubt in people at the authentic value of photography in comparison with art. Photography fails to create the subtle effect in the viewers that a simple portrait would. On the other hand, this mechanical production of the works of art is bound to change the public reaction to the particular piece of art, (part 12). It can therefore be concluded that the effects of reproduction are adverse to the work of arts. It is quite unfortunate that reproducibility is inevitable especially with the new technologies that come daily with the modern world. The technology is bound to change the works of art and bring a different representation of art. The political significance shifts with every new introduction to the original piece of art. The works of art space and time concept are totally changed in the same manner. s

Crime Essay Outline Essay

Critically examine the methods used to measure crime in Australia. In your answer you should discuss the following: How are crime statistics collected, collated and used? What are the strengths and weaknesses of official statistics versus unofficial statistics and alternative methods? How might these weaknesses be overcome? Introduction: By measuring crime, accurate crime data can be used for access the effectiveness of public policies, including the measurement of crime trends and the evaluation of crime control initiatives (Weatherburn 2011). This essay will discuss how crime statistics be used in Australia, the variances between official and unofficial statistics and the solutions of the weaknesses of official statistic. The definitions of concepts: Official statistics- They are produced by government institutions such as police offence information systems and Australian Institute of Criminology. Unofficial statistics – They are produced by people and agencies that are not involved in the criminal justices system. The methods used to measure crime According to Addington (2010), the main sources of crime data are crimes report from police, victim surveys and self-report surveys. Police recorded crime statistic Easy to conduct Including information about the nature of the recorded crime, location, time, what weapons were used etc. (Weatherburn 2011). Regionally and nationally Reliable Police were trained under criminological background Police are experienced Victim surveys Measure the dark figure of crime Crimes reported to an interviewer by the victim Nationally Based on sample of address (Block, C. R., Block R. L. 1984) Six index offenses Rape, aggravated assault, robbery, burglary, larceny, and automobile theft (Decker 1977) Self-report surveys Rarely reported to police Examples are illegal drug use and tax evasion (Weatherburn 2011) The advantages Official statistics Administrative data such as data from state and Territory police forces, courts, hospitals, community services (Browyn 2004). Represent an official record of crime Up-to-date information (Browyn 2004). Can be used for comparative purposes and deduction of crime trend. The limitations Official statistics Not all crimes committed are detected Not all crimes committed are reported Attitudes about the potential effectiveness of police in handing matters (Browyn 2004). Who are involved in an incident (Browyn 2004). The possible implication for victims (Browyn 2004). Not all crimes reported to police are recorded Technical difficulties A lack of sufficiently precise definitions for the phenomena to be measured (Security Publique Quebec 1993). A lack of uniformity or rigour in administrative practices used to compile the date (Security Publique Quebec 1993). Statistics only reflect the visible face of crime and do not make it possible to measure all the crimes perpetrated (Security Publique Quebec 1993). Selective use of data The lag in reporting Solutions Ensure independence (UK statistics Authority 2010) Public confidence as a target A augment that statistics needed to be at heart of policy-making and performance management Reinforce supervision on media The media plays an important role in forming people’s views on official statists (UK statistics Authority 2010). ‘The misreporting and under –reporting apparently endemic in current statistic has led to their widespread devaluation’ (Skogan 1975) Prevent from abuse of official statistics Conclusion Official statistics are more credible but need to overcome their weaknesses. There are two possible options which are ensuring independence and reinforcing supervision on media can be considered as solutions in this paper. References: Block, Carolyn R. , Block, Richard L. (1984) ‘Crime definition, crime measurement, and Victim Surveys’, Journal of Social issues, Vol. 40, No.1, pp 137-160 Browyn, H. (2004) ‘measuring crime in Australia’, crime in the community, chapter 4, pp 64-78 Decker, Scott H. (1977) ‘Official crime rates and victim surveys: an empirical comparison’, Journal of Criminal Justice, Vol. 5, pp 47-54 Lynn A. Addington (2010) ‘Measuring Crime’, Oxford Available from Oxford Bibliographies [30 March 2014] Security Publique Quebec (1993) ‘Partners in Crime Prevention: For a Safer Quebec Report of the Task Force on crime prevention’ Skogan, W. G. (1975) ‘Measurement problems in official and survey crime rates’, Journal of Criminal Justice, Vol3, pp17-32 UK statistics Authority (2010) ‘Overcoming Barriers to Trust in: Crime Statistics: England and Wales’, Monitoring report 5 Weatherburn, D. (2011) ‘Uses and ab uses of crime statistics’ Crime and Justice Bulletin, no. 153

Case Study Bored A Smartphone Application Essay

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